วันเสาร์ที่ 12 ธันวาคม พ.ศ. 2552

Live And Let Down - Never

James Paul McCartney is always half-inspired songwriting partnerships of the twentieth century will be remembered rather than his interest in vegetarianism, because unless the seals, or for that matter ... Ali. One could say that was the basis of his music on the wings, but a catalog of all types of music they wanted, while a member of the Beatles played, but could not because of the dominant forces of John Lennon. Beingthe ultimate pleaser, even as a child growing up after the loss of his mother was very young, was not the band-gooders, short temper when Lennon and head strong character would rise to four others with the utmost ease. Through his marriage to Linda Eastman, an American father of a daughter, divorced and Split in 1969, a year before the Beatles, he thought the train in the United States and was able to connect quickly to introduce its music as soloist, the American public the sameEase.

It 'definitely a real advantage if you have an ex-Beatle. Even Ringo Starr brief solo career was still well received, even if they do not sing and all he could do was drums, primitive, but they continue to play the audience went wild, simply because he, an ex-Beatle. So we McCartney in the same category? Apparently his recent musical history with one of the greatest band in the world must have its advantages, and then one must ask, then it is fair to say thatWings and Paul has yet to be throughout his career to John Lennon? I think that definitely played a major role ... and also have a tremendous bond for the Beatles, but also married women could not sing, as a note ...

In the same sense, both women had taken fifty percent of credit to the talent of their husbands'. Every woman has very little other than a few bits of percussion and backing vocals, but they were both pushing each firm TrojansThe man from behind. Formed Wings with his wife and Denny Laine, former Moody Blues guitarist, left in a quiet tour around universities and nearby cities to believe that the goal was to start small. It 'was this that we can see McCartney consciously not want to be seen riding on the back of the success of the Beatles, but accepts it, in hope, in a sober manner, and appreciated by fans and new people without hearing cries from the crowd of "Where's John ?This small town locations were probably a wise decision. The McCartney is already at work and self-promotion in their own right and every movement in the form of calculation and there was a maneuver organization.

The birth of McCartney, musically, it experienced a failure of any other band, past and passed earlier, before his first great success. She did not need it. What happened was some changes behind the scenes. In his private life, have had to endurea handful of drug busts, mostly from the press and several shows have been in court for the pair, followed covered. The group's name changed. Stopped immediately after the dissolution of the Beatles, Paul himself as a small, one man operation, after the shooting. The introduction itself, as Paul and Linda McCartney, have released two albums and three singles. In 1971 he arrived late for the introduction of the wings, possibly changing again for a couple of singles and albums Callinghimself, Paul McCartney and Wings. Perhaps the public had forgotten that an ex-Beatle was actually present in this new band who needs to put his name back up there, yes, it was a dig at Lennon, as its name the day of the Federation was the his band? When it comes to these so-called "rough and winds between the two powerful songwriters, as has been the great cold war, and when we were ready to burst fights at concerts. The general public's love of a goodSlanging game since the Victorian liked watching people hung and quartered. Personally, I think it's because the other is a songwriter second thought. I think it's just bad publicity and the two were too busy with their own things, about what he was thinking the maintenance of other field.

However, we reach the point of the story of the solo career, was McCartney. With the release of "Band On The Run" in December 1973 had reached the sameApex of his career as a musician a "solo". E 'state is the number one here and there simultaneously. The center "of the street" entertainers and nothing more than an ex-Beatle, was born reference. What was really lost its ability to be completely unaffected by irritants. Lennon was in turn divided into his painful existence, McCartney was happy to do it on the street without a care in the world. Intact, he won his melodic, yet meaningless songs aboutthe public, is only the asset management of commercial success, with the exception of the Beatles records, which continue to sell millions. McCartney could not put a foot wrong.

With two gold records behind them, they did capture "Band On The Run". The impressive cast on the cover of the album soon told us was the degree of influence McCartney. Not all the other bands that might explain his childhood, which were able to obtain, Christopher Lee, Michael Parkinson, James CoburnSigmund Freud and on the cover of the disc. Among a handful of musicians from other bands, on loan or friends of friends, the main line of the band was just Paul, Linda and Denny "Knight in White Satin Laine '.

What we have been most successful album by Paul McCartney in his entire career, and, yes, just as jarring and perfectly produced, recorded and written .. Get ready for the tomb itself a bucket as a guarantee to touch his feet and sing andI hate the morning ..

Smooth, opaque, yet easily engaging, opening title track, "Band On The Run" is rather disappointing, since this album has received so much press in its previous version. With texts say, is a little 'how to take a sleeping pill or a laxative, one of two remaining, and the weather clears up to a Lennon on "whether there will ever get out of here ..." Yes, that sounds like Lennon, but not until McCartney, to hear all the noise andJolly with teeth itch perfect voice, admittedly, was the only Beatle who could really sing. This is true for several minutes more effort, and we wonder what kind of object it is that song actually, we had no idea about this, and no clue about the kind of wings that this song will be euthanasia. We made an interesting, lives on the same subject, such as the imposing, Live and Let Die "which came out of the Bond a few years ago. The distortedPresentation of songs, was told a story in a general theme popular in the early seventies. It 'was a time, not knowing what to do really, listen to or dress like. I had the character of Ali, perhaps more if you looked more like Slade ... It 'hard to have enjoyed an artist of respect if they are all comfortable sweaters and cords. Give spandex and platforms for each day of the week ... Also, do not think '.. stuck in these walls .. 'Was a line very optimistic for the initiation of thisTeeth painfully happy album by a band of equal strength. Published in July 1974 reached number three and it was rather the embodiment of all the records Wings. This song is unfortunately spawn a lot of head shaking amateur impressions McCartney ...

Fits remain impressed with the introduction, the notion of "Jet". It is as it seems, has managed to collect enough sound aggressive in its form, in order to capture their audience. As a single released in March 1974 has taken its place in aNo. 7 are comfortable. I'm not sure that doing more on sax and Paul seems to be a certain amount of pain that I hear in the background. Many of the sparkling swimming pools, but our texts are hardly awe inspiring. We are not talking, "Hey Jew", here, in fact, its more, "Grandpa" by Clive Dunn than anything else. But we pick up a specific topic of the movement for historic vote at the end of the twentieth century, if anyone can remember that fara stupid woman by the name, Mrs. Pankhurst Emilinne, begun before the king on horseback Epsom. If they had bothered to burn a bra, however, would be much less chaotic ... and that would have the same desired effect. Perhaps we should be impressed with the line "I thought, the great lady suffragette was ..." The first time I heard this song and in my tender age of something very small, I thought it was some disguise. I'm sure that they are not alone in thisHypothesis, although more than thirty years.

What the hell was going on with 'Bluebird'? With its soft, sweet, "" Cha Cha Cha, "a waiter is filling out the wine list in the face and immediately we are transported to some tacky Hawaiian restaurant somewhere near Streatham, South London. The sound is a bit 'plastic and fake. While repeating the singing for us,' .. I'm Bluebird, bluebird I'm, 'I'm a bluebird ... "I thought, but maybe you can think of Paulcan fly. The music is perfect for retro cocktail party for assistance, but only if it is rotated to the point that almost did not hear. The choirs from around our beautiful wife Linda are familiar with our memories of poor voice quality, as you can get. You'll be pleased to know that the text is easy to obtain and have the evidence. A short length, not to offend too much, and memorable at the same time, do not. ID or the feeling that the disc is over-exploitationuse solos sax, an instrument usually to a soundtrack sexy and seductive, it draws only whines like strangled cat in documents Wings ... best left to Roxy Music, I feel ...

"Mrs. Vanderbilt," is the next song in the album, and thanks to God, the first sentence ... "In the jungle, in a tent ..." is at such a rate that is passed in haste sang beautifully. I do not feel embarrassed by I ", hey oh, oh" and Elton John, "haaaaaa's'as in the classic "Goodbye Yellow Brick Road". (Oh, how I wish I had the album has been inserted in place of ...) are the acoustic string straight and not chaotic. The lyrics of any reason to think and saxophone too. "What is the use of care ...?" another line, that as the I ", I appear, I have." I'm not what its all about whatever it is, it is obviously an "in" joke, as the song ends with a laugh hysterically.

Openingto "Let Me Roll It" is midway between Bowie, Velvet Underground. Has more effect on organs prays together on the keyboard the beautiful Linda, who urges us to take a bank and a good. By its action of McCartney singing at the end of a hook plane, (which probably is not) "is a bad idea is a simple imitation of Lennon's" Whatever all night, but slowed to an unbearable speed listening. Observed a bass and drums are dead was not so bad, butthe episode is short, with guitar riffs done at regular intervals on this route, which is really going on my nerves ... I think this song goes on too long. It would have been cut into two halves and the end product would not be so bad ... A good song in itself, but I feel as if we had a question about the chicken and eggs are the varieties of the application. Have this step Macca or Lennon? Enjoy a quality strong safety Lennon here in his electric guitar, theme, andEcho song. The lyrics are not proud, too, but I think the Mac was only a moment in his life, when really say anything, considering that Lennon had said anything, and I think it was, Lennon was so great. He was a hypocrite and Mac did, even if more money was in his adventure solo Lennon, who then was much more popular on a scale that McCartney could only dream of ...

The next album is embarrassing in thisis indeed a pleasant surprise "Mamunia 'a strange title and answers on a postcard happy if someone can tell me what it means. Similar to the previous B-side of his career as" C Moon. "This way, (attention) is well produced, (which is stained, after all ...), the acoustics, seventies style, set in the correct field and does not apply to the song which, incidentally, are harmonized and organized well, I think that Linda can really sing, or at leastwere submerged enough so that we are not able to concentrate solely on his voice. Every now and then, Mac had come with the perfect song to do that every critical listening stopped to listen carefully, and this was one of them .. Not released as a single, which surprised me even more. Joyous, but not irritating. Nice, but not to sleep, move, is a very beautiful melody but very monotonous, but in this form does not work repetitions and boy, is working here.

Mix with all the graceSwan Lake, "No Words" appears to be a track George Harrison. The voice is simply everything for GH, his walks and a little 'manure in their sound. The electric guitar is also a piece inspired by Harrison, and almost no Mac One could be seen as a tribute to an absent friend. If this is so touching, but if someone had told me that Harrison, just because it was raining outside, came, got bored, picked up a guitar at hand and began to sing, I would not have shocked everyone.This is the song at least one Macca ish I think I've ever heard.

If the above please tell me it was Harrison, who was also meant to pay homage to the great Beatles song "When I'm Sixty Four", but has slowed to a head. We still hear the familiar horns used in its predecessor. Under the title "The last words of Picasso" fills our minds with all sorts of interesting ideas. A special, '.. when I'm older ... Style as a drunken pub songs, is a strong familySound of another era of the Beatles. It 'difficult to come to a time of life that was so intense, and every little thing. When you live in each others pockets, as over the years, people around you around you and you do not. This cut length includes virtually all the songs of others from the track. Each batch reconstructed with jobs rather mediocre, is audible, but a little 'twisted like a whole piece of work. It begins with the argument that 64 yearsquickly turns shaking his head, a sound Roxy Music synth. What you get is Bryan Ferry, mixed with the lyrics of "Jet". Very bizarre and anyone thinking of a tube filled with must have had the night before. We turn once again to the chorus of the title of this book with a ton of violins, modification, apparently drowned the next piece Dire thrown. Stand by and wait for the "When I'm Sixty Four", the aging slow "almost on the street, in his agony," once again with rumors hidden in Frenchsupport. Go around the block with the ferry, once more for luck, then, come hang on, when did this? God, I did not, "ho, hey ho's" ... It 'time to go home yet?

When we met for a moment to lie to himself, after the virtual tour is the album in a minute flat, we are subject to a flat version of "Lady Madonna" piano. Mac is certainly the signature of this, as his voice is open, rocky and experimentally. Linda is difficult to fast when someone is home, not go with themMaracas. I wonder why Mac has always supported this issue incoherent 'oo's' and' oooos, where they are not really necessary for use. However, this is a hot topic at this track (in bits, mind), etc. Sounds more recent and now sound. I think it has shifted from the fusion of synth arrangements and lots of percussion. This is strange title, "Nineteen Hundred and Eighty Five. A tribute, even though a year out of George Orwell? Probably not. A growing oneends with each individual instrument from the album and the thunderous sound of the "Jet" and "Live and Let Die". (although) there is presented one for the album. We end this album with a whispered echo of "Band on the Run," the impression, perhaps a band now moving rapidly snapped on the night of fear. No matter what we have done is gone circle. A tour of the world's most successful album of his career ..

It seemsMac has pulled out all the stops for this album, timpani, and every piece of himself that he could not find what you damn sure this album, or one of them in the future, for that matter, would not. Well, it worked. December 1973 saw straight to number one, so that even the album stay on the charts for a total mass of 124 weeks. An effort that he will never do again.

A man who gave us angry and seething in its perfection of music and especially hisBank account in the past, about thirty-five, and say they hate him? Can I leave you with two thoughts ....

The increasingly unpopular "Mull Of Kintyre sold over two million" copies ....

The most unpopular, "We are all together" from Mac and the chorus of frogs was the number three.

So he bought?

1973 EMI Records.
Written and directed by McCartney and Wings product
© 2006 Michelle Duffy

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